Features of a Condenser Microphone Kit

Microphones were used only on stages, recording studios, and assembly halls in the past. Recently microphones are popularly used in the world of teaching, singing, making digital, and more. Therefore a condenser microphone kit has taken a key part in the current activities as it can be used both in studios and homes as it ensures you get quality audio and clear sound recording without disturbances due to movement or wind. Condenser microphones are best used to capture vocals of high frequency. Instead of a wire coil, a condenser microphone has two capacitor plates that require an external power supply.

When purchasing a condenser microphone kit one may end up getting confused both in online and offline marketing thus this article focuses on the key requirements of a condenser microphone kit.

7-Special Requirements when Choosing a Condenser Microphone Kit

Condenser Microphone KitSensitivity

As microphones can be used interchangeably, a condenser microphone is generally sensitive to signals to enable the recording purpose effectively. This determines the level of output for a given sound input.

Frequency response

Different microphone kits respond to a range of frequencies measured in Hertz. This determines the performance of a condenser microphone kit. When the equipment is in its right frequency it becomes more sensitive.

Maximum sound pressure level

Many professional condenser microphones have maximum sound pressure level input specifications which may vary. The maximum SPL is the highest sound level a microphone can handle before distorting. The right key of maximum SPL will enable the production of a clean record.

Polar pattern

Cardioid mics are sensitive to sounds on one side or end of microphones thus they are unidirectional and reject sounds from the sides or rear. In a condenser microphone kit, they have a pillar pattern of cardioid, hyper-cardioid, and super-cardioid. A polar pattern describes the microphone’s inherent directionally thus giving microphones to sounds arriving from different angles to its central axis.


This is the signal produced by the microphone even without a sound source. This is due to the electric circuit within the microphones. There are some outlines with self-noise as low as 4dB though in most cases they are high. The self-noise is always preferred to be moderated in the range of 10dB – 20dB, however, adjusting may be required for the efficiency of the condenser microphone kit.

Response curve

The frequency responses are only the overall range a mic can produce but how it performs at different frequencies is another matter, and that is what gives a mic its character. The response curve is the shape of the microphone’s frequency responsiveness. The settings of the response curve the sound produced.

Proximity effect

The proximity effect causes the bass frequency to become more pronounced as the sound moves closer to the mic. It is desirable for singers who create effects with a mic. When a strong proximity effect is selected it brings close miking an instrument to bring out the bass tone. A condenser microphone has a more proximity effect than a dynamic microphone.


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